Diferenças entre edições de "Literatura"
| Linha 4: | Linha 4: | ||
XXX | XXX | ||
<gallery Mode="nolines" widths="150px" heights="150px" class="center;" style="text-align:center; border:5px ridge dimgray; background-color:#d3d3d3"> | <gallery Mode="nolines" widths="150px" heights="150px" class="center;" style="text-align:center; border:5px ridge dimgray; background-color:#d3d3d3"> | ||
| − | EspolioAntonioMoraes (16).JPG|<small><small>''Touros e Toureiros'' | + | EspolioAntonioMoraes (16).JPG|<small><small>''Touros e Toureiros''</small></small>|link=https://tauromaquiapatrimonio.pt/w/images/3/38/EspolioAntonioMoraes_%2816%29.JPG |
| − | APCTL (14).JPG|<small><small> | + | APCTL (14).JPG|<small><small>Touros e Toureiros</small></small>|link=https://tauromaquiapatrimonio.pt/w/images/a/a9/APCTL_%2814%29.JPG |
Abre-Max (13).JPG|<small><small>''A Festa dos Touros: um espectáculo cavalheiresco?''<br>Teresa Aja</small></small>|link= https://tauromaquiapatrimonio.pt/w/images/6/6c/Abre-Max_%2813%29.JPG | Abre-Max (13).JPG|<small><small>''A Festa dos Touros: um espectáculo cavalheiresco?''<br>Teresa Aja</small></small>|link= https://tauromaquiapatrimonio.pt/w/images/6/6c/Abre-Max_%2813%29.JPG | ||
Abre-Max (35).JPG|<small><small>''As Praças de Touros do Montijo - factos e tradições''<br>Rui Aleixo</small></small>|link=https://tauromaquiapatrimonio.pt/w/images/c/c6/Abre-Max_%2835%29.JPG | Abre-Max (35).JPG|<small><small>''As Praças de Touros do Montijo - factos e tradições''<br>Rui Aleixo</small></small>|link=https://tauromaquiapatrimonio.pt/w/images/c/c6/Abre-Max_%2835%29.JPG | ||
| Linha 46: | Linha 46: | ||
EspolioAntonioMoraes (11).JPG|link=https://tauromaquiapatrimonio.pt/w/images/5/52/EspolioAntonioMoraes_%2811%29.JPG | EspolioAntonioMoraes (11).JPG|link=https://tauromaquiapatrimonio.pt/w/images/5/52/EspolioAntonioMoraes_%2811%29.JPG | ||
Abre-Max (36).JPG|link=https://tauromaquiapatrimonio.pt/w/images/5/52/Abre-Max_%2836%29.JPG | Abre-Max (36).JPG|link=https://tauromaquiapatrimonio.pt/w/images/5/52/Abre-Max_%2836%29.JPG | ||
| + | EspolioAntonioMoraes (15).JPG|link=https://tauromaquiapatrimonio.pt/w/images/4/44/EspolioAntonioMoraes_%2815%29.JPG | ||
| + | APCTL (58).jpg|30px|link=https://tauromaquiapatrimonio.pt/w/images/b/b9/APCTL_%2858%29.jpg | ||
| + | EspolioAntonioMoraes (1).JPG|link=https://tauromaquiapatrimonio.pt/w/images/5/5f/EspolioAntonioMoraes_%281%29.JPG | ||
| + | APCTL (64).jpg|link=https://tauromaquiapatrimonio.pt/w/images/2/2f/APCTL_%2864%29.jpg | ||
| + | APCTL (44).jpg|link=https://tauromaquiapatrimonio.pt/w/images/2/23/APCTL_%2844%29.jpg | ||
| + | Abre-Max (42).jpg|link=https://tauromaquiapatrimonio.pt/w/images/7/77/Abre-Max_%2842%29.jpg | ||
| + | Abre-Max (67).JPG|link=https://tauromaquiapatrimonio.pt/w/images/c/c0/Abre-Max_%2867%29.JPG | ||
| + | APCTL (19).JPG|link=https://tauromaquiapatrimonio.pt/w/images/d/da/APCTL_%2819%29.JPG | ||
| + | APCTL (42).JPG|link=https://tauromaquiapatrimonio.pt/w/images/7/70/APCTL_%2842%29.JPG | ||
| + | APCTL (1).JPG|link=https://tauromaquiapatrimonio.pt/w/images/e/e7/APCTL_%281%29.JPG | ||
| + | Abre-Max (65).JPG|link=https://tauromaquiapatrimonio.pt/w/images/3/35/Abre-Max_%2865%29.JPG | ||
| + | EspolioAntonioMoraes (4).JPG|link=https://tauromaquiapatrimonio.pt/w/images/7/7e/EspolioAntonioMoraes_%284%29.JPG | ||
| + | APCTL (15).JPG|link=https://tauromaquiapatrimonio.pt/w/images/7/73/APCTL_%2815%29.JPG | ||
| + | EspolioAntonioMoraes (12).JPG|link=https://tauromaquiapatrimonio.pt/w/images/4/4a/EspolioAntonioMoraes_%2812%29.JPG | ||
| + | APCTL (36).JPG|link=https://tauromaquiapatrimonio.pt/w/images/e/ee/APCTL_%2836%29.JPG | ||
| + | Abre-Max (12).JPG|link= https://tauromaquiapatrimonio.pt/w/images/1/1e/Abre-Max_%2812%29.JPG | ||
| + | Abre-Max (11).JPG|link=https://tauromaquiapatrimonio.pt/w/images/c/ca/Abre-Max_%2811%29.JPG | ||
| + | Abre-Max (47).JPG|link=https://tauromaquiapatrimonio.pt/w/images/e/e8/Abre-Max_%2847%29.JPG | ||
Revisão das 21h37min de 13 de julho de 2020
LITERATURA TAUROMÁQUICA
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